Sensi Terre Brick.
Perfectly Imperfect.
Sensi Terre references the material language of artisanal clay - the material's warmth, natural variation and depth.
Matteo Thun & Partners bring these qualities into porcelain, refined through Florim’s B Corp certified precision manufacturing.
The character of earth, resolved with the performance of porcelain.
Six Earths, One Tonal Range.
The Sensi Terre Brick palette runs the full tonal register of fired clay, so a single wall can be built from one colour, or blended across several without interrupting the aesthetic language.
Cotone: Soft, chalky off-white.
Sabbia: Warm, light natural-clay beige.
Rosato: Earthy terracotta with a soft pink undertone.
Mattone: Medium brick red, classic fired clay.
Amaranto: Deep earthy red with mineral warmth.
Carbone: Deep, warm charcoal brown.
Three Surfaces, One System.
Sensi Terre Brick is built as three tiles at a single working size (57 x 232 x 8.5mm), so they can run independently or combined within the one installation, without resizing a setout.
- Brick - an undulating field tile with an irregular, unrectified organic edge. Wall applications only.
- Onda 5 - an angular wave surface, for a sharper dimensional shadow line. Onda is Italian for "wave." Wall applications only.
- Onda 7 - a linear dimensional stripe, for a more restrained, directional texture. Wall applications only.
All three carry a silk finish, sit at the same 8.5mm thickness, and share the same unrectified profile, meaning Brick, Onda 5, and Onda 7 can be layered together in one wall to build depth without a jump in scale or joint width.
Pictured: Sensi Terre Amaranto
Built to endure.
Eight Tones. One Language.
Vanilla, Porridge, Grey Salt, Caffelatte, Mushroom, Truffle, Barley, Blue Corn: eight colourways developed as a single tonal system, each shifting the balance between warm and cool without breaking from the collection's restraint.
Light neutrals for spaces built on openness.
Deeper, grounded tones for projects that call for weight and intimacy.
Every shade is engineered with fine tonal variation and a refined matte surface, so large-format runs read as considered, not repetitive.
